After a crazy 11 months of nonstop action and studying, my first year as an MBA student is officially done! It was an extraordinary year, and I’ve learned a great deal about both business and myself. I’ll be starting my internship at Colgate-Palmolive very soon, but in the meantime thought I could catch up on blogging about my culinary adventures in my little corner of Brooklyn. Tom and I have been cooking a great deal, but between term papers and B-school life I was hard pressed to find the energy for taking photos. We decided celebrate the end of finals by cooking Pork Tenderloin with Thai Spices and Peanut Sauce.
Thanks to some Thai classics such as lemongrass, ginger and lime, the chicken could have stood on its own. The marinade is essentially a puree of aromatics that then translates to a beautiful coating in the final product. The original recipe calls for skewers (to make an actual “satay”) but I just thinly sliced the pork and arranged them on a baking tray – for ease of a quick weeknight meal. I imagine chicken could be an apt substitute, but I highly recommend the tenderloin.
Add in the rich peanut sauce and cucumber relish, and you’ve got yourself an incredible meal. The peanut sauce was perhaps my favorite. The coconut milk and sesame pair beautifully with the chicken, and the texture can be adjusted to taste (smooth like butter, or a rougher blend for added crunch). The salsa, while simple, was a phenomenal addition. I cut back the sugar in both the peanut sauce and the salsa, but you are welcome to add more (or less!) to taste. I made the sauce the night before, which definitely enhanced the flavors, and the cucumber salsa while the pork was cooking. Overall, this was a fantastic meal and one that we’ll be making again. Click HERE for this fantastic recipe!
In considering a pairing for this piece, I wanted something that recognized the richness of this dish while also celebrating my first year as an MBA student. This led me to arguably one of my favorite symphonies, Sibelius Symphony No. 2 in D. Written in 1902, this work is a tour de force, with Sibelius himself claiming it to be “a confession of the soul.” The symphony has personal resonance for me, as it was one of the last symphonies I performed before the start of my undergraduate degree at the New England Conservatory in Boston. And (as you will see) it leaves quite the impression – the finale particularly. Sibelius’s own words frame the symphony’s inspiration:
“Music is for me like a beautiful mosaic which God has put together. He takes all the pieces in his hand, throws them into the world, and we have to recreate the picture from the pieces.”
As was standard for works of the time, the symphony consists of 4 movements. However, its architecture was audacious – defying the norms of the “sonata-like” form that so many composers had followed before. That being said, the turn of the century was ushering in a new era of symphonies, with composers such as Mahler and Wagner having disrupted the scene decades prior. Yet what made this symphony unique was its ability to capture the hearts of audiences from the outset. The pastoral opening flows through a series of personalities, taking the listener on an impassioned journey of climactic highs and dulcet lows. In a word, this piece is eternal – having stood the test of time. The following video features Leonard Bernstein and the Vienna Philharmonic, performing the symphony in its entirety – enjoy!